
In March, I read The Song of Roland, which is about Roland, a knight of Charlemagne, who defends a particular spot in the Pyrenees to the point where he and all his men die, but allow the rest of the troops to avoid being attacked by the Moors. (The Moors, in the words of one of my professors, is another way of saying "You, them there Muslims.") What bothered me about this story was, at the end, Charlemagne has to tell Roland's fiancee (who wasn't mentioned previously in the story) that Roland has died. Then this fiancee goes off and dies, with the writer implying she had nothing left to live for. Obviously, as a feminist, I don't like the idea of a woman being forced to marry, and I'm not a fan of the idea of women not having anything better going on in their life than a man, so this bothered me. Because I was reading The Song of Roland for a history class and I didn't have to write a paper on it, I kept these thoughts to myself. Even though Heng didn't discuss this work in her essay, I suspect she would probably have something to say about it.

I'm also wishing I could read the Vitas written about her by various monks, because those would come much closer to qualifying as literature. Vitas, or Lives, were basically biographies. They were usually written by men working within the church (as monks, abbots, bishops, canons, etc.) that tell a person's life story, emphasizing how saint-like they are. If they were written before they were canonized, the goal is to persuade readers they should be, and if they were written after canonization, it's because they wanted to use the person in question as an example of living one's life justly. There's been a lot of work by historians on these biographies in the last twenty to twenty five years, analyzing them using close reading, a technique that any English major worth their salt understands. So I'm wondering if it's possible to do something similar while working in English and not history.
I wasn't really looking to read these feminist essays in order to work on the issues between history and literature or feminist in medieval literature, but Heng's essay opened up a lot of really interesting thoughts for me.
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